Song 112
Today I have another Framing Hanley song, it's called Count Me In. I really like the vibe of this one, and I think it's worth reviewing. So here we go. The intro on this is very cool, love all the raw electric guitar strumming. Then mixed in with the drums, it sounds like a dark rock ballad. That brings us into the first verse: "Cradle up there's a fragile life, you can paint the pretty. But it serves as no disguise. It's only getting later now, and you've become a waste of time." I like this line, because it's saying no matter how you try to make something look or sound good, it can still be what it is. Whether that's bad or not, well that depends on the context. The pre-chorus: "The silver spoon won't feed your friends, cause life tastes bitter when you eat with your hands." I'm not sure what it means here, so I'll leave this up for interpretation. The chorus: "Count me in, and I'll be the one. To take the knife, out of your spine. Cause I know, you'd be the first. To bury the blade deeper into mine. Into mine." This song is about betrayal, or a "stabbed in the back" situation. Which is why they are talking about the knife and the blade, being shoved in the spine. I like the concept, and how the lyrics represent that type of situation. The second verse: "Living on this charming life, you can write the perfect setting. But the story I'm not buying. We're only getting older now, and you've become a waste of time." Basically this means that, you can try to spin your side of the story all you want. But it still doesn't make up for what you did. On one of the repeats of the chorus, a line changes. So I'll add that in here. "Cause I know, you'll be the one. To bury the blade, but she's still mine." The context here, is that the betrayal was someone stole his girl. I get that, I mean I would be ticked off too, if someone stole the person I love. The chorus repeats again after this, with some extra repeats of the "count me in" line. Ending with the last line "To bury the blade deep in your spine." I kind of like how spooky sounding this last line is, almost like he's going to actually kill this person who stole the girl he loves. Now I don't like violence, but for a song like this. I think it works. There isn't really an outro, just the sound of the guitar fading out in that fuzzy way it is sometimes. I still like that concept though. Either way, very well done song. It for sure has that raw vibe that I love so much from the 2000s. Highly recommend this masterpiece.
See you in the next one, oh and the Framing Hanley song I did previously to do this one, check out the music video for it. I wish this song had a music video, because this would be so cool acted out. Oh well, happy listening :)