Album Review
Hello everyone! The title is correct, I am writing another album review! The album I have chosen this time around is by the newest band I just got into The Relapse Symphony! The album is called Shadows! So let us begin!
Track 1-Embrace The Darkness
So this one is just an instrumental track, but I thought I would put it in here anyway. It's a really great introduction to the album, sort of a maloncholy sound. Really sets the scene for what's to come. That's all I have to say about this one.
Track 2-We Are The Broken
This track is a full song, and the intro is awesome. It has that punk vibe that I love, with some backing vocals. An awesome guitar strumming pattern, and the drums hit the mark beautifully. This leads us into the first verse: "We are born of destruction, spitting fire is all we've ever known. We'll make you want to tear your eyes out, in a scene of devastation we're the jet black ghosts without it's bones. Strung out and sick of corporate radio." I love the vocals, their lead singer Bret is an amazing vocalist. And a fashion icon. I think the this first section is talking about not conforming to what other artists put out there, and giving the punk experience. The chorus: "We are, we are the broken. (Oh oh-oh) We are, we are the devil's favourite flame. We are never gonna be the same, we are never gonna live that way. We are, we are the broken. (Oh oh-oh)" This chorus is very catchy, and I like the message. I've felt very broken, still do. But I'm just allowing myself to heal, and good music like this helps. The second verse: "We're the new revolution, we are proud of the stories on our skin. Dismantled youth our walls are caving in, we make scars and wear ours cause nothing good comes from staying whole. We sing the violent refrain." Honestly that's kind of true, a lot of good content has come out of people that have gone through hard stuff. To see the light, you need to live in the dark for awhile. The chorus then repeats, with a little instrumental part after that. Followed by the bridge: "Paint these hearts in starlight and smoke, we won't back down we are the broken. Paint these hearts in starlight and smoke, we won't back down we are the broken. Paint these hearts in starlight and smoke, we won't back down we are the broken. No we won't back down." Yeah fight the power! hehe, but seriously love the context of this song. The melody shifts a bit with the bridge, but I like it. Sounds very dance like. Then the chorus repeats twice more before it ends. There isn't really and outro for this song, so that's it for this one.
Track 3-Battlefield of Lies
Great title. The intro for this one is different, the melody is very much more guitar heavy. Which I love. Leading us into the first verse: "I kept chasing shadows down the halls, just trying to find myself. And I've been living lies to pass the time, turned into something else, unbreakable." I'm not sure how to comment on this section, but I do like the lyrics. Then we have the chorus: "I won't let go of the hopes I've carried, they'll stay unknown. Hopeless and buried. Hold your head up high, on this battlefield of lies. I'm singing I won't let go, this is the only way I know." I had some hopes I had to get rid of, because it's what was best for me. Even though it hurts, I know it was the right decision for myself and my well being. Then we have the second verse: "I've been stealing fire every dawn, just trying to light the way. And I've been hiding bombs in every song, the secrets my escape. Trading all my days for one more fight. Sweat and blood, I'll make tonight unforgettable." I don't know what to comment with on this section, but I do like how it's arranged. The chorus repeats, with no bridge on this track. There is however an instrumental part near the end. It sounds really cool, there's some shredding going on there. I freaking love shredding! Then the chorus repeats a final time, with a nice little outro. A little bit of a drawn out guitar note.
Track 4-One More Yesterday
I love this song, the music video for this one is beautifully sad. Both music videos are actually, there's a music video for the acoustic version of this song as well. Again we have a bit of a different intro, already you can hear the main melody of this song. Like that. The first verse: "I'm hanging on to memories, of better days for you and me. Yeah. The summer nights, we tempted fate. Chased the morning light away, young and high. Alive and free." Just gonna leave this part alone, for you all to decide what it means to you. The chorus: "You're not breathing, I'm not sleeping. I walk this world alone, I've been screaming hands and knees, and now you'll never know. I don't care what, tomorrow holds. I give the ground my broken bones, for just one more yesterday with you. Whoa, oh, oh. I give it up, give it up all for you." This chorus is so catchy, I love it. In this sense, he's talking about someone that died. Because (spoiler) in the music video there's a funeral, indicating that someone has passed on. The second verse: "I'm writing you the songs I sing, until they swallow up the page. I should have done better when I had you, laying in the gutter beside me. Now it's last call with the madness you left me, but I can't seem to turn and crawl away." I'm just gonna leave this part up for interpretation. The chorus then repeats, with an instrumental part. Then the chorus repeats a final time, again there's no bridge. There's a soft outro at the end, little touches of piano keys. Sounds really nice, and a interesting way to wrap it up.
Track 5-Make Your Move
Now, I already reviewed this song by itself. But this time it's part of the collective album, so I'm gonna review it differently because of that fact. My honest opinion, I think this fits in really well with the whole storyline of this album. Which is melancholy, punk, basically sad vibes. There is some sad aspects of this song, where they mention moving on, and wanting to go back to how things were. That has been the vibe from the beginning of this album. So yeah I think it fits really well, and is still a good track whether you listen to it on its own, or part of the album.
Track 6-Savage Eyes
Before I dive into this one, I want to mention how I didn't really like this track at first. But after I listened to it a few times and found the music video, it grew on me. And now it's one of fav songs on this album lol. Okay, now we can get into the song. The intro on this one, is even more rock. If that makes sense. It has this raw passion, with the guitar and drums, and bass. They are all synched together really epically. That little extra wail that happens on electric is very much present in this. It's when the guitarist plays a chord, then shakes the guitar to get the sound to drag out more. It's so cool. So let's get into the first verse: "You play with fire like it couldn't burn your skin, you're tempting God with every damn you've got within your angry soul. You can't let go. You f**** with Jack and all his bottle kissing friends, you lost your innocence but can't remember when it all went wrong. Your faith got gone, baby, gone." I don't really know what to say about this part, so we'll move on. The pre-chorus: "You've got your crosses, you've got your pain. But something in your metal heart is driving me insane." I like this pre-chorus, I really love how it sets you up for the actual chorus. It draws you in, which is always important when writing anything. The chorus: "Woah oh oh, don't wanna be alone, woah oh oh. You put the spark in my bones, I think I love you baby. I think I wanna make you mine, my lovely sinner of the night." Very catchy chorus, the music video is also interesting. (Spoilers) There's Bret in black and white, with a screen sheet behind him. All these shadowy figures float past him, as he walks by. Which makes sense, since the album is called Shadows. The second verse: "You self destruct like, you've got gasoline for blood. You like it rough enough to prove that you are tough as a machine, it hurts so good. You've got this danger-high, you call it a disease. You live so fast that you could almost ride the road with me, we'd run so hard, we'd play for keeps." I'll leave this part up to interpretation, if you would like to do so. Now the pre-chorus changes slightly on this part. "You've got your crosses, you've got your pain. But something in your savage eyes, is driving me insane." The title of the song is mentioned in this part. Then the chorus repeats, and we actually have a bridge on this one. Only this part is whispered slightly, very cool. "Savage eyes, don't tell me lies. My sinner of the night, savage eyes don't tell me lies. My sinner of the night, savage eyes don't tell me lies. My sinner of the night." Then there's an instrumental part, followed by a repeat of the chorus. With a little extra lyrics thrown in there, but it really adds to the edginess. "Don't f******** make me." I like how it sounds when Bret sings this part, it's very pleasing. That's followed by more repetition of the chorus, and there's no outro. So the song just ends.
Track 7-Walls
The intro to this song is just perfect! I love how it's arranged, and leads you into the melody. First verse: "Tell me, tell me what I did, to end up in a ditch like this. Losing faith in all I know. Dizzied up when the sun goes down, and making out with the tear stained ground. I'll get up, but I won't go home." I think here, he's talking about just how hard things can be sometimes. Whether it's physically, emotionally, or mentally. That's what I get from the tear stained ground part anyway. I'm sure other people might think something different. The pre-chorus: "Those lies from your mouth, cant cover the truth in your eyes." I love the vocals on this song, they're just so satisfying. The chorus: "So where were you, when I lost my mind. My walls came down, with all my pride. Our story is ending, and I'm done pretending. That blood and a name means one god***** thing." I like the message here, I wonder if he's talking about either a relationship that ended, or perhaps something family related? I'm not one hundred percent sure on that. The second verse: "You chew me up in your clinical hell and spit me out in your whiskey well, half drunk in your room all alone. I'm no hometown hero, just some gypsy zero. With no one but the streets to call me own." I'm not sure what to say here, so I'll leave that up to you guys. The chorus repeats, then we have the bridge: "The curtain is falling, and I'm walking away. Redemption is calling but, you're still in the way. So tell me, tell me what I did. To end up in a ditch like this." I like when some bridges, have a call back to previous lyrics. Then the chorus repeats again, but with a key change. I love key changes. There's an outro, and it's really nice. We have some nice strumming work, followed by the fading out feature. Very good track
Track 8-Angels Take Us Demons Save Us
This song is really good, the intro is really fun. Very fast paced, and satisfying to the ear. The first verse: "When I feel the danger kissing, everybody, every moment means more than every moment past. I promised I'd protect you from the terrible and treacherous. But never thought we'd meet the flames so fast." Sometimes things don't work out, simple as that. The pre-chorus: "So hold on tight to me, I'll get you through this nightmare tragedy." Please do lol. The chorus: "The bodies hit the ground, the sky is falling down. But I am in the twilight safe with you. While God and angels sleep, the demons are running free. But I am in the twilight safe with you, a shallow grave for two." I'm not really sure what this means, but I love the melody of this one. I think it's fun. The second verse: "When madness sweeps the world and leaves the rest of us to burn, I'll take the worst and save the best for you. If this is how it ends for you and me and all our friends. There's nowhere I would rather be than here with you." Dang I wish I had something like that, it sounds so romantic. The chorus than repeats, and the bridge is just part of the chorus repeating. Then it repeats once more, and it just ends.
Track 9-The Ghost That Got Away
The intro on this track, is very drum heavy. Which is fine, I think it fits really well. The first verse: "I'm wide awake, I'm breathing. But you've got your hands around my neck, thought I tricked you into feeling. But you never would confess, you're dead like naked winter." That's one I don't think I've heard before, there's been a lot of analogies about death. But this one is a first, I like it. I always appreciate good song writing. The pre-chorus: "Still I cling to you." It's short I know, but very effective at what it's trying to express. The chorus: "I'd do anything, you're a crutch, you're the only one. But time is everything, we've got it all, till we've all got none. It's a game we like to play, a little love, a little hate. I'd take it all for you, you're the ghost that got away." I relate to this in more ways than one, especially the ghost that got away part. I won't go into details with that, but I do relate to it. The second verse: "I'm fast asleep, I'm dreaming. Looking for the outline of your face, thought I found you in the picture. But it stutters frame to frame, you vanish, so romantic." I feel like that last part is supposed to be sarcastic. I could be wrong on that, but that's how I see it. The chorus repeats, than we have the bridge: "You used to keep the ghosts at bay, but now you haunt me in the worst f******* way." The bridge, has a whispering aspect to it. Followed by an instrumental part. The chorus repeats, and once again there's no outro. Really good track, fits in well with the rest of the album.
Track 10-Forever Slowly
This is probably one of my favourite songs on this album, it's slow and makes you think. As well as get in touch with your emotions. It's just really beautiful. The intro, has already set it up as a deep meaningful song with the way the instruments are being played. The first verse: "Maybe I fell down to find you here, and light up your burnt down halo. And maybe I'm scared but I don't care, I'm ready to jump if you say so." There could be some attachment issues here, which I totally understand. The pre-chorus: "I define these nights, but you don't take my breath away." I don't really have much to comment on here, so we'll just keep going. The chorus: "I don't wanna be forever lonely, lonely I, maybe we can be forever slowly, slowly. Now it's you and me forever, up against the wall together now. Maybe we could be forever slowly." I just really love the tone of this chorus, and the melody is so smooth. The second verse: "Maybe you were toxic from the start, maybe I'm a sucker for danger. Maybe we'll fall, oh fall apart like shadows of lovers and strangers." Maybe, and maybe I was blinded by love, because I get emotionally attached, until I finally realized that it wasn't what was best for me. It can be a hard lesson to learn, when you're someone like me. Who loves too deeply. The chorus repeats again, with the bridge being screamed. "Now it's you baby, don't take my breath away." It's a short bridge, than the chorus repeats with a little soft first half of it. Followed up with an awesome guitar montage, then the chorus repeats again. There is a little bit of an outro, where the guitar wail draws out a bit. I like that. Really pretty song, highly recommend listening to this one.
Track 11-Shadows
Here we are, the last song on the album. Another one of my favourites, both the acoustic and original. This is the original version though, and it's also amazing. I feel like it's a great way to wrap up the album, and the intro deffinitely has that end of show feel to it. It's like a last little bang, that still keeps you going right up until the end. The first verse: "I didn't see the darkness as it came, rushing like a rainfall over me. One second there was sun the next there was none, I didn't feel the pressure on my back. Like a vampire breathing down my neck, chasing me away from you and everything I ever loved." This might be the most deep song throughout the whole album, which is actually really cool. Since it's the last one. The chorus: "I never meant to let you down, but I'll never let them take me now. The dream is dust the deed is done, and I've got my hands around the gun. I never meant to play this part, and I never meant to break your heart. But here in the shadows we decide, either we're dead or we survive." That's true, we can decide what happens next with our lives. Whether it's after a heartbreak, or some other thing. As long as you're still on this planet, you can decide how you keep living. And find yourself again. There's a little instrumental part here, then it's the second verse: "I think you're getting close to seeing now, it's you and me against everybody else. And I don't want to doubt that you won't make a sound. And I could pretend I was sorry yeah, and I could pretend that it hurts so bad. But everything I do, I'd do it all again." No comment here. Then the chorus repeats, and it's the bridge: "I've got a darkness deep inside, but here in the shadows I'm alive. So if you're looking for me just look straight down, it's here in the shadows I'll be found." I like this part, because sometimes it is the dark where you find yourself. The darkest points in our lives, can actually help us. As long as we don't stay there for too long, and eventually get back into the light. The chorus then repeats again twice more, and there isn't really an outro. But I still think it's a great way to end this incredible album.
That is it for this review, I hope you consider checking this album out. The music videos too, because they are also amazing. Until next time, happy listening.